
Make A Date With
Beethoven!
If you love the intensity and drama of Beethoven....then
come sing or play with us as we present
Beethoven's Mass in C Op. 86
for our fall concert.
Rehearsals start Sunday, August 23rd, 2026, at 3pm
at Bethany Christian Church at the corner of Butler
and 30th street.
Performances will be November 14th and 15th.
Ludwig van Beethoven (1770-1827), was a monumental German composer and pianist. Bridging the Classical and Romantic eras, he transformed Western music, elevating instrumental compositions to a high art. Despite his fame, he battled a tragic and progressive hearing loss. Born into a musical family, his father, Johann, forced the boy to practice for long hours. Beethoven gave his first public performance at age 7. He later moved to Vienna to study under Joseph Haydn where he quickly established himself as a virtuoso pianist and daring improviser. Beethoven's personality was a complex web of contradictions: profoundly passionate, deeply sensitive, and fiercely idealistic. All these traits led patrons and those who commissioned his works to call him "explosive" and unreliable. Around age 28, Beethoven began experiencing severe tinnitus (ringing in the ears). By 1802, he became deeply depressed by his failing hearing and his social isolation. Then by 1816, he was entirely deaf, yet he composed many of his most celebrated masterworks - including the Ninth Symphony and the Missa Solemnis - without ever being able to hear them played.
Mass in C, Op 86
Prince Esterhazy traditionally commissioned a new mass each year for his wife's name day. Haydn's declining health led the Prince to turn to Beethoven. Beethoven, feeling immense pressure to match Haydn's esteemed masses, composed the Mass in C focusing on dramatic, human sincerity, rather than the traditional courtly splendor. The Prince disliked the dramatic intensity which deeply offended Beethoven. While he originally intended this Mass for Prince Esterhazy, he ultimately dedicated the published score to Prince Ferdinand Kinsky.
Within the Mass in C, Beethoven integrated the vocal and instrumental writing into a continuous symphonic dialogue. As the Mass in C was written in 1807, it bridges the Classical tradition with the Romantic spirit, viewing faith as a living dialogue rather than a static court ceremony.